Palace, Fort, and Museum: Instruments of Power and Status: Construction and Destruction
Once the site of the Aban, a stone royal fortress/museum built in the European mode, its destruction gave rise to a British colonial fortress, a forceful sign of occupation. Today it stands as Kumase's military museum, a reminder of the Asante martial past.
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In 1817, Asantehene Osei Tutu Kwame Asiba Bonsu relayed his dreams of a new palace to Bowdich, the first European to reach Kumase. The structure would have a brass roof and be built on ivory columns, with gold and silver lining the windows and door. These dreams, stoked by conversations with his Muslim advisors from the north, were still on his mind three years later, when he talked to the British consul, Joseph Dupuis.
Although the monarch continued to refer to brass and ivory, his attention had turned to the European coastal forts for inspiration. He had begun construction, but had shifted his plans for brass, gold, and ivory to the interior, stating, “I am building a fort like Cape Coast Castle; but I shall make it very high that I may look out and see all the town.” His intention was to subvert European perceptions for political reasons, for he added, "Now white men know me, I must live in a great house as white kings do; then I shall not be ashamed when more white people come."
The structure was made of stone that had to be brought by hand from the coast, and its foreignness was underlined by its height, which dwarfed even two-storied earthen structures. It did not begin to approach Cape Coast Castle or any of the other forts in size, but included a tower, paved inner courtyard, far more shuttered windows than most Asante structures, several staircases, and decorative balustrades at three levels. In addition, its flat roof stood in contrast to the sharply pitched thatch of surrounding palace buildings, allowing for elevated viewing. Along with the earthen palace buildings that surrounded it, it stood behind a palisade fence of lashed bamboo-like posts.
Upon its completion in 1822, the Asantehene named it after King George IV, the reigning British monarch, and Dupuis suggested suitable sacrifices for its dedication, supplying a silk British flag to fly. Though he wrote about it as "a private token of friendship," it is difficult to believe a state envoy would see it as anything other than a sign of conquest, despite Britain's continued struggles with the Asante.
Two new Asantehenes followed. Kwaku Dua I was on the throne during an 1839 visit by Methodist missionary Thomas Birch Freeman. The fort, known by its Twi name, Aban, was still the only stone structure in Kumase. in 1841, Freeman compared its size to one of "the small villas in the vicinity of London," and noted a table bearing 31 gold-handled swords, as well as others with the ruler's gold-covered drinking calabashes or imported glassware, gold chains, and nuggets.
In 1872, Asantehene Kofi Karikari requested the British governor at the coast send him chalk and oil colors to refurbish the "stone house." The monarch soon directed his paroled prisoner, Rev. Frederick Ramseyer, to build him an additional two-story European-style house--this time from sun-dried brick--with a crew of Fante workers. Heavy rains later that year, however, damaged both the new house and the stone Aban.
By 1874, Kofi Karikari's conflicts with the British resulted in the latter's successful invasion of Kumase and the British collection of gold dust and other loot from the palace and chiefs' homes. Stanley remarked that the Aban's rooms were "lofty and commodious, and those occupied by his Majesty are furnished with European and native articles. The presents he has been continually receiving diplomatically have assisted in supplying him with unusual luxuries. Pictures adorn the walls; sumptuous sofas are ranged round his walls; thick carpets cover his floors; his tables are loaded with a thousand costly knick-knacks."
Stanley inventoried the items found on the upper floors of the Aban, which he considered the Asantehene's residence. They included gold nuggets, locally-made gold jewelry, stools, gold-decorated rifles, and linguist staffs. European goods were varied, ranging from silver flatware to porcelain and Delftware, carpets to an oil painting and prints.
Boyle observed that "the palace is apparently used as a treasure-house exclusively. The King prefers his native architecture, which is not without elegance," noting the monarch's earthen residence, site of his bedroom, stood immediately behind the Aban; Sir Garnet Wolseley, who led the British troops placed the Asantehene's bedroom and four-poster bed in the Aban itself.
In the stone house, Boyle saw Dutch engravings, a magic lantern, an ivory ship's model, and busts of the Duke of Wellington, as well as silver-decorated calabashes, velvet state umbrellas, and four gold "masks", (Stanley recorded seven) which were actually ornaments. In addition, the shaded courtyard area stored his palm wine, champagne, and brandy.
Some of the booty--the Asantehene's wives' ornaments, two of his gold pipes, a silver coffeepot, and a sword from Queen Victoria--was packed up and taken to Cape Coast where it sold for between 5000-6000 pounds (in the neighborhood of half a million 2017 dollars). Other valuables were considered part of the indemnity paid to the Crown by the defeated monarch, and the famed Garrard jewelry house auctioned them in London.
Wolseley destroyed the Aban with dynamite and had the town torched. He stated, "I believe that the result will be such a diminution in the prestige and military power of the Ashantee monarch as may result in the break-up of the kingdom altogether."
The city's recovery from the 1874 conflagration was slow. Although some palace buildings were rebuilt or refurbished, the stone structure was not. Some of its stones were salvaged and stored xxx, and in 1897 they were incorporated in both the newly-built Residency and Fort, which shared a wall. Henderson noted, however, that most of the Fort itself was built from bricks. This structure spoke to both the permanence the British hope they had achieved in their occupation of Kumase, as well as their unease regarding the current political situation. After the 1874 war, his counselors forced Asantehene Kofi Karikari to resign. Several brief reigns and regencies followed, until internal conflicts were resolved and the teen-aged Asantehene Prempeh I was enstooled in 1888. Britain tried to coerce him into agreeing to a Protectorate, and his repeated refusals led to an 1896 invasion and annexation, as well as Prempeh I's deposition and arrest. The fort and residency together marked the center of Kumase's colonization, both militarily and administratively.
The Fort had a deep well and storage buildings, but its most notable features were its gun towers, their corrugated roofs painted white, with wooden roofs and an air space under the metal--the whole designed to create a cooler vantage point. Henderson noted that all "the arrangements are admirably adapted to enable the guns and Maxims [ a mounted rapid-fire machine gun invented in 1883] with which it is provided to sweep a space which has been cleared all around it."
On March 25, 1900 Kumase saw the first visit of the Governor of the Gold Coast, Sir. F. M. Hodgson. He proceeded towards the fort under a triumphal arch, passing an assembly of Asante chiefs and provincial rulers who then processed past the governor, who was seated on the Residency's verandah like an emperor reviewing the troops. They reassembled three days later, when he informed them they needed to begin paying towards the 1874 indemnity demanded of Asantehene Kofi Karikari. His next statement was incendiary. As Armitage, an eyewitness, put it, "The Governor proceeded to ask where the Golden Stool was, and why it had not been given up to him as representative of the Great White Queen."
By April 2, the Asante at Bali village engaged a small British party who had come lookng for ammunition and the Golden Stool in gunfire, singing (in Armitage's "rough translation"), "The Governor came up to Kumasi on a peace palaver. He demanded money from us and sent white men to bring him the Golden Stool. Instead of money the Governor shall have the white men's heads sent to him to Kumasi. The Golden Stool should be well washed in the white men's blood."
Although they fought their way back to Kumase and the fort, the Asante were massing for war under the direction of Queen Mother Yaa Asantewaa of Ejisu, a kingdom about ten miles northeast of Kumase. The fort became a refuge for the Governor, his wife, a handful of British officers, missionairies, mining engineers, clerks, servants, and Asante officials (some loyal to the British, others detained by them), as well as about 500 Hausa troops and their families. Telegraph lines had already been laid in Kumase, but after a plea for reinforcements from Nigeria had been sent, the Asante cut the line. A two-month siege began. Negotiations in May included an Asante demand: the Fort should be destroyed. British reinforcements arrived in Kumase on May 15, and at the cessation of fighting Queen Mother Yaa Asantewaa was exiled to the Seychelles Islands. She died there in 1921, but when Prempeh I returned from the islands to Kumase, he had her body and those of other exiled Asante who had died returned to Kumase for proper burial.
The fort continued to house colonial military forces, although unfortified barracks were built nearby, until 1952-53, when the British Army converted the structure into a military museum. It became a Ghanaian museum at the country's 1957 independence, and its exhibits consist of arms and related objects, many confiscated during wars with other nations. Swords, tanks, planes, photographs, and other military memorabilia from Ghana, Italy, Japan, and elsewhere.
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The Aban, Kumase
The Asantehene's stone Aban, completed in 1822, stood in the midst of traditional buildings within the vast palace complex. | Source: Illustrated London News, Apr. 25, 1874 | Date: 1874
Interior Courtyard of Asantehene Kofi Karikari's Aban
At the time of the Aban's destruction , it was just over fifty years old. While the stone exterior required little maintenance, the artist has depicted one wooden shutter loosed from its moorings. Stone flags pave the courtyard. | Source: Illustrated London News, May 2, 1874 | Date: 1874
The Asantehene's Bedroom
Boyle described the Asantehene's bedroom at the time of the 1874 invasion: "The bed-chamber itself is a low, dark room, on the ground floor, hung with cloth of country silk, both on walls and ceiling. It is approached by a door panelled in little plates of gold and silver. A silk bedstead with curtains stands at one end, and a low divan of the same stuff at the other." The "country silk" that served as wallpaper was silk kente cloth, woven by the royal weavers. | Source: The Illustrated London News, April 15, 1874 | Date: 1874
Part of the Asantehene's Captured Treasury Goods
This engraving shows a small fragment of the royal objects looted from the Asantehene's stone palace during the 1874 British invasion. It includes two pairs of gold ornamented sandals, a gold pectoral disk (akrafomanfu), three gold-decorated leather helmets, a cast gold sword ornament in the form of a trophy head, a bird-shaped, gold foil-covered state umbrella finial, and several state swords. The sword with the three-pronged hilt is in London's Wallace Collection. | Source: The Illustrated London News, May 23, 1874 | Date: 1874
Some of the Spoils of the Anglo-Asante War of 1873/74
This illustration shows part of Asantehene Kofi Karikari's treasury. It labels the items as follows: "A. King Koffee's Umbrella; B. State sword; C. Fly Whisk; D. Gold Bell; E. Ram's Head of Gold; F. Head-dresses; G. Scorpion in Gold; H. Execution Sword; I. Koffee's State Dagger and Appendages; J. Masks of Gold; K. War-Horn; L. Top of Throne." | Source: Brown, Robert. The World: Its Cities and Peoples, Vol. 6. London: Cassell, n.d. [1889?], p. 73. | Date: 1889
A cast gold sword ornament taken from Asantehene Kofi Karikari's stone palace
This engraving shows one of the seven "masks" found in Kumase's Aban palace during the 1874 British invasion. These were actually gold lost-wax castings that acted as state sword ornaments and represented the heads of defeated enemy kings. Soden-Smith suggested that messengers traveled with a sword thus decorated to belligerent monarchs, for "when sent they signify 'I mean to have your head.'" Alternatively, this head may have been attached to the Golden Stool as part of its ornamentation. The original illustrated here is a large work at about 8.5 inches, and weighs about three pounds. After the invading British army looted it, it was transported to London and sold at an auction to benefit the widows and children of British military men killed in the war. Purchased by Sir Richard Wallace, it is now part of London's Wallace Collection. Two similar, slightly smaller works of copper-gold alloy were in the Vérité collection. They, as well as a third, doubled head, seem to be of 19th-century manufacture and may also have been part of the looted Aban treasure. | Source: Soden-Smith, R. H. "Notes On Specimens Of Wrought Gold, Forming A Portion Of The Ashanti Indemnity." Archaeological Journal 31 (1874): interleaf between pp. 30 and 31. | Date: 1874
A Royal Gun Bearer's Helmet (krobonkye)
This leather helmet is decorated with leaf-shaped designs made of flattened sheet gold and silver, and attached with gold and iron wire. It is associated with the treasury of Asantehene Kofi Karikari | Date: late 19th century
Flat Gold Bead
This small flat gold bead was made using the lost wax casting technique. Less than 3/4 of an inch in diameter, its small spirals were created by coiling threadlike pieces of wax before encasing the whole in clay, heating the whole so the wax would run out, and filling the resultant one-time mold with molten gold. Purchased for the British Museum by 1877, it seems to have been part of Asantehene Kofi Karikari's looted treasury. | Date: 1874
Asante Gold Bead
This delicate open-worked gold bead was part of the indemnity Asantehene Kofi Karikari was forced to pay the British after his 1874 defeat. Its form was modeled after a tsafi, a leather-wrapped Koranic invocation. Although the Asante themselves were not Muslim, numerous Muslims from what is now Northern Ghana resided in Kumase and traded with it. Their talismans and charms joined Akan examples and were used on clothing and hung in homes. The bead is .9 inches long | Date: Left Ghana 1874; purchased 1876
Asante Gold Amulet Casing
This sheet gold ornament was a casing for a Muslim inscription, used as a protective charm. Its decoration includes punched holes along the edging, for although some of these amulets were worn as necklaces, many were sewn to the sandals or clothing of a man of rank, or attached to his sword. This object was part of the indemnity paid by Asantehene Kofi Karikari at British demand in 1874. | Date: Taken from Kumase in 1874
Asante Disc Pendant (akrafokonmu)
This type of gold ornament (here at a diameter of about 3.3 inches) is used in multiple ways. In the 19th century, examples like this were badge-like identity markers worn by court attendants known as akrafo ("soul washers"), whose presence kept harm from the Asantehene and other Asante rulers, but they could also be worn by certain swordbearers and by young women during puberty rites. Today, young women wear gold-plated brass versions in linked pairs during funeral ceremonies, a relatively new usage.Cole and Ross see the form of this general type of radially-designed pectoral as coming to the Akan from their northern Muslim neighbors, originally having a protective function. A number of the discs have a central boss like this one, and Gott views these as abstracted breasts with nipples, symbolizing maternal support and devotion.This example combines two metalworking techniques. The disc itself is made of sheet gold and its fern-like motifs are created in repousse, the technique by which pressure applied from the metal's reverse creates low-relief protrusions on the front. The semi-circular projections from the edges, however, were created through the lost-wax casting technique, as was the central protrusion, which was soldered in place. | Date: Taken from Kumase 1874; purchased for museum 1876
Sculpture of Yaa Asantewaa
This naturalistic bust portrays Queen Mother Yaa Asantewaa of Ejisu Kingdom (ca. 1840-1921) who rallied the Asante in their last attempt to dislodge the British from Kumase after the Governor demanded the Golden Stool. This sculpture stands in front of the Yaa Asantewaa Museum of Kwaso town. Unfortunately, the museum burned only four years after its 2000 dedication. | Date: 2016
The Residency and Fort at Kumase
Source: National Archives, UK CO 1069-34-31
Edward, Prince of Wales, Leaving the Fort
Prince Edward (later King Edward VIII, who ruled for less than a year before abdicating) toured Kumasi and Accra on one of the many Commonwealth tours where he represented his father, King George V. His denigrating views towards non-Europeans were freely expressed, but he traveled with both cameramen and filmmakers to document his royal passage and the directed response of Ghanaian British subjects | Source: Visit of His Royal Highness The Prince of Wales to the Gold Coast Colony, 1925. | Date: 1925
Kumase's Military Museum
Date: 2017
A plane outside the Military Museum, Kumase
Date: 2017
Interior of the Fort
Date: 2013
Buildings within the Kumase Fort
Date: 2013
Exhibit, Military Museum
Date: 2013
Outdoor exhibits, Military Museum
Date: 2013
Detention Cells in the Kumase Fort
Date: 2016
British Money Vault in the Kumase Fort
Armitage's description of the besieged fort mentioned that, under the stone staircase leading to the Residency chambers, there was "underneath which was a small chamber with a massive iron door, used for specie." | Date: 2016