<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom">
  <title type="text">Bright Continent</title>
  <updated>2026-09-23T20:42:19+00:00</updated>
  <generator uri="http://framework.zend.com" version="1.12.20">Zend_Feed_Writer</generator>
  <link rel="alternate" type="text/html" href="https://access.thebrightcontinent.org/"/>
  <link rel="self" type="application/atom+xml" href="https://access.thebrightcontinent.org/items/browse?output=rss2"/>
  <id>https://access.thebrightcontinent.org/</id>
  <author>
    <name>Bright Continent</name>
    <uri>https://access.thebrightcontinent.org</uri>
  </author>
  <link rel="hub" href="https://pubsubhubbub.appspot.com/"/>
  <entry>
    <title type="html"><![CDATA[Kumase Public Works Department: Colonial Administration Survival]]></title>
    <summary type="html"><![CDATA[<img src="https://access.thebrightcontinent.org/files/fullsize/808e3d18ef4ab1b77fd4ff9c18df704b.jpg" alt="Public Works Dept., Kumase" /><br/><p>The Public Works Department (PWD) played a major role in early and later  Anglophone colonial architecture and utilities. Although operative in the Ghana's coastal area as early as 1850, the PWD's Kumase presence did not commence until about half a century later, due to Asante independence that ended in 1900.  Initially responsible even for the very production of "burnt bricks" and the creation of wooden shingles, the PWD's architects and engineers planned, created or supervised the construction and maintenance of municipal buildings, roads, bridges, water systems, harbors, and other infrastructural aspects. Their reshaping of landscapes in the early years of colonialism was a given, and favored European goals. Initially, African participation was deliberately limited to laborer status.</p><p>After the 1900 Anglo-Asante war, the European presence in Kumase solidified. By 1905, Kumase had only one British supervisor, who saw to the construction of the "native" hospital, market sheds, improvements to the male prison and military structures, a slaughterhouse, and "enclosure of the European water supply", as well as cemented street drains. By the following year, the city saw a female prison and the addition of a hospital, dispensary, and kitchen to the male prison, the initial construction of a European hospital, police headquarters and an additional station in the Muslim Zongo quarter (20 constables and three senior officers total). No government school had yet been established.</p><p>The PWD's road work stepped up in 1916 with the construction of the Kumase-Ejura road, specifically meant for vehicles. This inaugurated plans for rapid increases that saw 300% expansion within a year or two, but the trunk road between Accra and Kumase, was still not completed in 1937--probably because a railroad had covered this route since 1906. In the early colonial period, the PWD took responsibility for roads designed to connect desirable resources to ports, directing the chiefs to create and maintain roads from smaller polities to regional centers.</p><p>By 1937, the city as a whole had pipe-borne water and electrification was complete. Completed PWD construction now included four public schools, provincial police headquarters, expanded police and military barracks, extensive civil service housing, and a divisional Supreme Court.</p><p>In the 1940s, the Kumase PWD constructed an airport and cemetery. Although British consulting firm were still involved in major projects, the level of local participation had increased. The future Asantehene Opoku Ware II trained as a surveyor and draughtman, and worked for the Kumase PWD from 1941 to 1943.</p><p>The Kumase PWD still operates, now controlling maintenance and construction of government offices, housing and other property in the city. It still makes use of the two-story colonial structure with its decorative quoins, louvers, and ground floor pilasters. Many structures built by the PWD, such as Manhyia Palace and civil service bungalows, still stand.</p><p><em><strong><a href="https://access.thebrightcontinent.org/items/show/14">For more (including 6 images) view the original article</a></strong></em></p>]]></summary>
    <published>2017-10-24T17:22:41+00:00</published>
    <updated>2026-09-23T20:42:19+00:00</updated>
    <link rel="alternate" type="text/html" href="https://access.thebrightcontinent.org/items/show/14"/>
    <id>https://access.thebrightcontinent.org/items/show/14</id>
    <author>
      <name>Kathy Curnow</name>
    </author>
  </entry>
  <entry>
    <title type="html"><![CDATA[The Residency: Home to Colonial Governance in Kumase]]></title>
    <summary type="html"><![CDATA[<p><strong><em>From Refuge to Elite Social Center</em></strong></p><img src="https://access.thebrightcontinent.org/files/fullsize/3b236a8c2d73067063b2a80e9a7d5fda.jpg" alt="Sketch of the First Kumase Residency" /><br/><p>The Residency was the home of the British colonial Resident in Kumase, initially sited next to the Fort, the administrative and military center. First erected temporarily in 1895/96 from wood, by 1896 it had transformed into a three-story stone building. The upper two stories had wrap-around verandahs, typical of British colonial style. Both verandahs and the elevated site it stood on allowed surveillance over much of the town. These first two incarnations of the Residency were part of the palisaded military compound of the Kumase Fort, erected during a period when colonization was still shaky.</p><p>The granite used for its construction had come from the coast, transported by Asantehene Kofi Karikari for his stone Aban. After its destruction, the stones had been stored on the hill above the Muslim Zongo community, but were moved back to be mortored together again. Glass windows were imported, and the building included four similarly-sized rooms on the first two floors, with a large central entry and staircase. Construction costs for the more permanent structure amounted to 13,816 pounds, the equivalent of over $2 million today. Home to both acting and permanent Residents, it was also the site of palaver discussions with Asante chiefs during the exile of Asantehene Prempeh II.</p><p>In 1900, both the Residency and the rest of the fort compound were filled with the British, their employees, missionaries, Hausa forces, allies, and some Asante hostages during a two-month siege prompted by the Governor's demand for the Golden Stool. Governor Hodgson and his wife, who had been visiting Kumase, stayed in the Residency during this period, as did two officers, three doctors, and two mining engineers, while others were housed in the fort, outbuildings and the gardens. As they awaited military relief, Armitage noted, "there would be a rush to the top room of the Residency, where every one would stand at the windows listening and looking intently at the tree-tops, far below which the Cape Coast road wound along." Dinner and tea parties with limited rations, as well as card games, were directed by Lady Hodgson as the conflict continued. The siege's end marked a British consolidation of power in Kumase.</p><p>From 1922-24, a new Residency was built further from the fort--though still in an elevated area--the need for defense abrogated by a now firmly established colonial presence. This broader two-story structure included multiple arched loggias on its ground floor, echoed by the second floor terrace's arcaded balustrade. Several wings expanded its size, the overall effect emphasizing the imposing. Freed from military associations, its increased grandeur spoke to cultural imperialism and both social and physical distance from the bulk of the town's citizens.</p><p>It had become the pinnacle of British social life in Kumase. Queen Victoria's granddaughter, Princess Marie Louise, stayed at the Residency during several points of her 1925 Gold Coast tour. She referred to it as "charming, a really comfortable house," noting its "luxury" of electric lighting and fans, soft carpets, upholstered chairs, gardens, and newly laid-out trees.</p><p><em><strong><a href="https://access.thebrightcontinent.org/items/show/13">For more (including 6 images) view the original article</a></strong></em></p>]]></summary>
    <published>2017-10-07T05:32:03+00:00</published>
    <updated>2021-05-23T06:53:16+00:00</updated>
    <link rel="alternate" type="text/html" href="https://access.thebrightcontinent.org/items/show/13"/>
    <id>https://access.thebrightcontinent.org/items/show/13</id>
    <author>
      <name>Kathy Curnow</name>
    </author>
  </entry>
  <entry>
    <title type="html"><![CDATA[Palace, Fort, and Museum: Instruments of Power and Status: Construction and Destruction ]]></title>
    <summary type="html"><![CDATA[<p><strong><em>Once the site of the Aban, a stone royal fortress/museum built in the European mode, its destruction gave rise to a British colonial fortress, a forceful sign of occupation. Today it stands as Kumase's military museum, a reminder of the Asante martial past.</em></strong></p><img src="https://access.thebrightcontinent.org/files/fullsize/24b0a2590500b332b5257d9fd830c76c.jpg" alt="The Aban, Kumase" /><br/><p>In 1817, Asantehene Osei Tutu Kwame Asiba Bonsu relayed his dreams of a new palace to Bowdich, the first European to reach Kumase. The structure would have a brass roof and be built on ivory columns, with gold and silver lining the windows and door. These dreams, stoked by conversations with his Muslim advisors from the north, were still on his mind three years later, when he talked to the British consul, Joseph Dupuis. </p><p>Although the monarch continued to refer to brass and ivory, his attention had turned to the European coastal forts for inspiration. He had begun construction, but had shifted his plans for brass, gold, and ivory to the interior, stating, “I am building a fort like Cape Coast Castle; but I shall make it very high that I may look out and see all the town.” His intention was to subvert European perceptions for political reasons, for he added, "Now white men know me, I must live in a great house as white kings do; then I shall not be ashamed when more white people come." </p><p>The structure was made of stone that had to be brought by hand from the coast, and its foreignness was underlined by its height, which dwarfed even two-storied earthen structures. It did not begin to approach Cape Coast Castle or any of the other forts in size, but included a tower, paved inner courtyard, far more shuttered windows than most Asante structures, several staircases, and decorative balustrades at three levels. In addition, its flat roof stood in contrast to the sharply pitched thatch of surrounding palace buildings, allowing for elevated viewing. Along with the earthen palace buildings that surrounded it, it stood behind a palisade fence of lashed bamboo-like posts.</p><p>Upon its completion in 1822, the Asantehene named it after King George IV, the reigning British monarch, and Dupuis suggested suitable sacrifices for its dedication, supplying a silk British flag to fly. Though he wrote about it as "a private token of friendship," it is difficult to believe a state envoy would see it as anything other than a sign of conquest, despite Britain's continued struggles with the Asante. </p><p>Two new Asantehenes followed. Kwaku Dua I was on the throne during an 1839 visit by Methodist missionary Thomas Birch Freeman. The fort, known by its Twi name, Aban, was still the only stone structure in Kumase. in 1841, Freeman compared its size to one of "the small villas in the vicinity of London," and noted a table bearing 31 gold-handled swords, as well as others with the ruler's gold-covered drinking calabashes or imported glassware, gold chains, and nuggets. </p><p>In 1872, Asantehene Kofi Karikari requested the British governor at the coast send him chalk and oil colors to refurbish the "stone house." The monarch soon directed his paroled prisoner, Rev. Frederick Ramseyer, to build him an additional two-story European-style house--this time from sun-dried brick--with a crew of Fante workers. Heavy rains later that year, however, damaged both the new house and the stone Aban.</p><p>By 1874, Kofi Karikari's conflicts with the British resulted in the latter's successful invasion of Kumase and the British collection of gold dust and other loot from the palace and chiefs' homes. Stanley remarked that the Aban's rooms were "lofty and commodious, and those occupied by his Majesty are furnished with European and native articles. The presents he has been continually receiving diplomatically have assisted in supplying him with unusual luxuries. Pictures adorn the walls; sumptuous sofas are ranged round his walls; thick carpets cover his floors; his tables are loaded with a thousand costly knick-knacks." </p><p>Stanley inventoried the items found on the upper floors of the Aban, which he considered the Asantehene's residence. They included gold nuggets, locally-made gold jewelry, stools, gold-decorated rifles, and linguist staffs. European goods were varied, ranging from silver flatware to porcelain and Delftware, carpets to an oil painting and prints.  </p><p>Boyle observed that "the palace is apparently used as a treasure-house exclusively. The King prefers his native architecture, which is not without elegance," noting the monarch's earthen residence, site of his bedroom, stood immediately behind the Aban; Sir Garnet Wolseley, who led the British troops placed the Asantehene's bedroom and four-poster bed in the Aban itself. </p><p>In the stone house, Boyle saw Dutch engravings, a magic lantern, an ivory ship's model, and busts of the Duke of Wellington, as well as silver-decorated calabashes, velvet state umbrellas, and four gold "masks", (Stanley recorded seven) which were actually ornaments. In addition, the shaded courtyard area stored his palm wine, champagne, and brandy.</p><p>Some of the booty--the Asantehene's wives' ornaments, two of his gold pipes, a silver coffeepot, and a sword from Queen Victoria--was packed up and taken to Cape Coast where it sold for between 5000-6000 pounds (in the neighborhood of half a million 2017 dollars). Other valuables were considered part of the indemnity paid to the Crown by the defeated monarch, and the famed Garrard jewelry house auctioned them in London.</p><p>Wolseley destroyed the Aban with dynamite and had the town torched. He stated, "I believe that the result will be such a diminution in the prestige and military power of the Ashantee monarch as may result in the break-up of the kingdom altogether."</p><p>The city's recovery from the 1874 conflagration was slow. Although some palace buildings were rebuilt or refurbished, the stone structure was not. Some of its stones were salvaged and stored xxx, and in 1897 they were incorporated in both the newly-built Residency and Fort, which shared a wall. Henderson noted, however, that most of the Fort itself was built from bricks. This structure spoke to both the permanence the British hope they had achieved in their occupation of Kumase, as well as their unease regarding the current political situation. After the 1874 war, his counselors forced Asantehene Kofi Karikari to resign. Several brief reigns and regencies followed, until internal conflicts were resolved and the teen-aged Asantehene Prempeh I was enstooled in 1888. Britain tried to coerce him into agreeing to a Protectorate, and his repeated refusals led to an 1896 invasion and annexation, as well as Prempeh I's deposition and arrest. The fort and residency together marked the center of Kumase's colonization, both militarily and administratively. </p><p>The Fort had a deep well and storage buildings, but its  most notable features were its gun towers, their corrugated roofs painted white, with wooden roofs and an air space under the metal--the whole designed to create a cooler vantage point. Henderson noted that all "the arrangements are admirably adapted to enable the guns and Maxims [ a mounted rapid-fire machine gun invented in 1883] with which it is provided to sweep a space which has been cleared all around it."</p><p>On March 25, 1900 Kumase saw the first visit of the Governor of the Gold Coast, Sir. F. M. Hodgson. He proceeded towards the fort under a triumphal arch, passing an assembly of Asante chiefs and provincial rulers who then processed past the governor, who was seated on the Residency's verandah like an emperor reviewing the troops. They reassembled three days later, when he informed them they needed to begin paying towards the 1874 indemnity demanded of Asantehene Kofi Karikari. His next statement was incendiary. As Armitage, an eyewitness, put it, "The Governor proceeded to ask where the Golden Stool was, and why it had not been given up to him as representative of the Great White Queen." </p><p>By April 2, the Asante at Bali village engaged a small British party who had come lookng for ammunition and the Golden Stool in gunfire, singing (in Armitage's "rough translation"), "The Governor came up to Kumasi on a peace palaver. He demanded money from us and sent white men to bring him the Golden Stool. Instead of money the Governor shall have the white men's heads sent to him to Kumasi. The Golden Stool should be well washed in the white men's blood." </p><p>Although they fought their way back to Kumase and the fort, the Asante were massing for war under the direction of Queen Mother Yaa Asantewaa of Ejisu, a kingdom about ten miles northeast of Kumase. The fort became a refuge for the Governor, his wife, a handful of British officers, missionairies, mining engineers, clerks, servants, and Asante officials (some loyal to the British, others detained by them), as well as about 500 Hausa troops and their families. Telegraph lines had already been laid in Kumase, but after a plea for reinforcements from Nigeria had been sent, the Asante cut the line. A two-month siege began. Negotiations in May included an Asante demand: the Fort should be destroyed. British reinforcements arrived in Kumase on May 15, and at the cessation of fighting Queen Mother Yaa Asantewaa was exiled to the Seychelles Islands. She died there in 1921, but when Prempeh I returned from the islands to Kumase, he had her body and those of other exiled Asante who had died returned to Kumase for proper burial.</p><p>The fort continued to house colonial military forces, although unfortified barracks were built nearby, until 1952-53, when the British Army converted the structure into a military museum. It became a Ghanaian museum at the country's 1957 independence, and its exhibits consist of arms and related objects, many confiscated during wars with other nations. Swords, tanks, planes, photographs, and other military memorabilia from Ghana, Italy, Japan, and elsewhere.</p><p><em><strong><a href="https://access.thebrightcontinent.org/items/show/12">For more (including 23 images) view the original article</a></strong></em></p>]]></summary>
    <published>2017-10-04T02:27:51+00:00</published>
    <updated>2021-05-23T07:00:16+00:00</updated>
    <link rel="alternate" type="text/html" href="https://access.thebrightcontinent.org/items/show/12"/>
    <id>https://access.thebrightcontinent.org/items/show/12</id>
    <author>
      <name>Kathy Curnow</name>
    </author>
  </entry>
  <entry>
    <title type="html"><![CDATA[Adum Royal Palace: From Empire&#039;s Core to a Shopping District]]></title>
    <summary type="html"><![CDATA[<p><strong><em>Throughout the 19th century, the five-acre Adum Royal Palace Complex was the center of an Empire that held its own against British onslaughts. Its death knell occurred in the 1890s, and the 20th century saw a move to the Manhiya district, as Adum became a thriving commercial area.</em></strong></p><img src="https://access.thebrightcontinent.org/files/fullsize/85afd9c10820c1f12e237e84ee278197.jpg" alt="A Palace Courtyard in 1817" /><br/><p>The Asantehene ruled the Asante Empire from his residence in Kumase, but lack of archaeological work at the capital means our knowledge of palace structure and location are limited before the 19th century. In 1817, when Bowdich became the first European to travel to Kumase, the palace covered a large expanse in what is now Adum, with the market nearby. During Bowdich's diplomatic mission to Asantehene Osei Tutu Kwame Asiba Bonsu (r. 1804-1824), he noted that the palace was about a half-mile from the town's southern entry point, approached through a long street. It was walled off from the town, though each end of the wall ended at the nearby marshlands. 

<div>Bowdich described the palace as vast, consisting "of a variety of oblong courts and regular squares, the former with arcades along the one side, some of round arches symmetrically turned, having a skeleton of bamboo, the entablatures exuberantly adorned with bold fan and trellis work." He noted that some of the lattice-filled windows were framed in gold, observing that progress through the palace involved opening locks, presumably the "Hausa"-type latches he had commented on elsewhere in Kumase. Some palace courtyards could hold 300 people. The 1817 palace grounds included what Bowdich called the "King's garden, an area equal to one of the large squares in London," the site marked by four large scarlet parasols and a dining table for the occasion of a diplomatic banquet. </p><p>
<div>The Asantehene discussed ambitious building plans with Bowdich, mentioning a proposed new residence with a brass roof, ivory pillars, and gold window and door trim. Bowdich gave him prints and drawings of European buildings, and the monarch evinced particular interest in the concept of the British Museum. While his ivory and brass structure was never built, he did later create the Aban, a European-style stone structure that acted as museum and storehouse, rather than living quarters. </p>

<div>The main palace remained multiplied series of four structures (<em>pato</em>) set around an open courtyard (<em>gyase</em>). Although these courtyard arrangements were of a standard Asante design, they were far more extensive than those of any other regional ruler, with exceedingly rich relief and openwork decoration, their tall high-pitched roofs creating an impressive visual statement within an approximately five acre area. Although centrally located, palace access excluded most citizens and visitors, and even those who entered often did not proceed past the outer, less private sections of the complex. </p>

<div>When the British invaded Kumase in 1874, they leveled the Aban with dynamite, also destroying many older parts of the Adum Palace. The rebuilding of the clay structures took place immediately, but struggles over the monarchy had returned both the palace and Kumase to a state of disarray within a decade. When Asantehene Prempeh I took the throne in 1888, he had to rebuild, though on a somewhat smaller scale. Continued conflicts with the British led to his deposition in 1896, and damage to the structure occurred during that time.</p><p> </div>

<div>Nonetheless, some parts of the old palace were still standing by the time of the final Anglo-Asante war of 1900, albeit with a lack of maintenance due to the Asantehene's exile. The governor's wife, Lady Hodgson, commented then that the site was overgrown, consisting of "a few mud huts" repurposed as a police station, although there were "still a few rude carvings [actually molded clay reliefs] to be seen on the walls, but the glory of the place had departed." However, at the close of this war, British relief forces entered Kumase, and Captain Harold Biss noted that the Asante "had carefully left undamaged Prempeh's old palace; so we burned this structure for them." This action put paid to Adum as the site of the royal palace.</div>

<div>With the British occupation and restructuring of the town, palace land became public land. Many of the streets that once led to the palace soon hosted commercial and administrative buildings. When Asantehene Prempeh I returned to Kumase, his new British-built residence was sited in Manhyia, once a village but already incorporated into the growing city. </div>
</div></p><p><em><strong><a href="https://access.thebrightcontinent.org/items/show/11">For more (including 16 images) view the original article</a></strong></em></p>]]></summary>
    <published>2017-09-30T04:35:14+00:00</published>
    <updated>2021-05-23T07:27:05+00:00</updated>
    <link rel="alternate" type="text/html" href="https://access.thebrightcontinent.org/items/show/11"/>
    <id>https://access.thebrightcontinent.org/items/show/11</id>
    <author>
      <name>Kathy Curnow</name>
    </author>
  </entry>
  <entry>
    <title type="html"><![CDATA[Manhyia Royal Palace: Seat of the Post-19th Century Asante Monarchs]]></title>
    <summary type="html"><![CDATA[<p><strong><em>Current Asante narrative stresses that the Asante insisted on paying the British for the new royal palace in 1925, so their ruler need not be beholden to the colonialists. British records show their plan was to have Asante noblemen foot the bill.</em></strong></p><img src="https://access.thebrightcontinent.org/files/fullsize/d5e3baccce71d44ecb5e107247ed905f.jpg" alt="Manhyia Palace Museum" /><br/><p>When the British allowed Asantehene Prempeh I to return from exile in the Seychelles Islands and resume his position as "Kumasihene" (a term that attempted to limit his sovereignty to Kumase), their former actions left him no palace to return to. Upon his return in 1924, he took up temporary quarters in the new neighborhood known as Asafo. The British decided a "bungalow" in their own style would be most suitable, and planned to build it in Manhyia, rather than in the old palace site of Adum, which has since been commercialized.

<div>Before Kumase's colonial growth, the Manhyia area had been a village just outside the city where the Asantehene had an additional residence. According to Fuller, the monarch kept his gunpowder at Manhyia, and it also hosted a critical meeting of the Asante chiefs before Wolsely's 1874 entrance into Kumase. After the destruction of his palace by Wolsely's men, Asante Kofi Karikari left Kumase for Manhyia, as did his principal chiefs. The British selected this same region for Prempeh I's residence. Although they initially referred to him a private citizen, they still constructed a new mansion for the monarch, budgeting 3000 pounds (the equivalent of just over 250,000 of today's dollars). The selected builders were the same construction company that had just built the new colonial residency. 

<div>As Dumouchelle points out, Manhyia Palace is similar in style to the Residency, although the latter was larger and grander. Both were two-story stone structures with louvered windows and tiled roofs, although the Palace's Doric porch columns are less imposing (if airier) than the arches of the Residency's porch. Particular prominence was given to the Palace's ground floor porch and second-story balcony, which were as large or larger than the interior rooms. This became a Westernized equivalent of the pre-colonial Kumase-style <em>adampan</em>, the open-walled ground floor room of old aristocratic structures, where royals and noblemen's activities had a public face. </p><p>Manhyia Palace is a symmetrical structure, the entrance porch leading to a wide hall. Its wooden-floored ground floor included five rooms, including a smoking room and an office for Prempeh I. The upper floor held three bedrooms, a dressing room, sitting room, and linen room. A separate garage and electric light (introduced 1929) were additions, and Prempeh II sought other expansions that included a guest house, a palace for the Queen Mother, a tennis court, and additional outbuildings. Dumouchelle observed that the arrangement of some of the structures--though made of permanent materials--was pre-colonial, with four open structures centered around an open courtyard (gyase).</p><p>Asantehenes Prempeh I (d. 1931) and two of his successors, Prempeh II (r. 1931-1970) and Opoku Ware II (1970-1999) also lived in the colonial building, and its current status as museum preserves original furnishings, dining services, telephones, and the first Kumase black and white television from 1965. It also houses precolonial swords, dress, and other royal regalia, as well as realistic fiberglass effigies of many former monarchs and queen mothers. Its public opening was planned as one of the culminating activities of a grand Jubilee celebration of Asantehene Opoku Ware II's 25th year on the throne, and took place in 1995. </div>

<div>Malcolm McLeod, director of Glasgow's Hunterian Museum and former Keeper of the British Museum's Museum of Mankind, was invited to advise those Asante who were planning the museum. As Schildkrout notes, his plans involved certain needed repairs and upgrades, the cleaning and conservation of the house's domestic contents, and considerations of the diverse audiences the museum would serve, but did not include object curation for the second floor, which would include some royal regalia. Objects from the royal treasury have different caretakers, not all of whom agreed with the concept of museum display. The exhibit cases were not filled until the day of the opening, and many were emptied that same night. Because objects can be in active use for ceremonies, the inventory remains fluid; some regalia items on view are now replicas, while others are temporarily exhibited.</p><p>Asantehene Opoku Ware II chose to dedicate the colonial structure as a museum for he had created a new palace next to it not long after his 1970 accession. This remains the residence of the reigning Asantehene, Osei Tutu II, which is shielded by wrought iron fencing. Outside both the old and new mansions are large public expanses that not only add to the grandeur of the palace compound, but are put to periodic practical use. Royal ceremonies take place on these lawns, with parade ground structures shielding musicians and select distinguished guests. The palace, museum, outbuildings, and grounds today occupy an area of about five acres, equivalent to the space the 19th-century Adum palace stood on, and used for both old and new purposes, albeit in Western styles.</div>
</div></p><p><em><strong><a href="https://access.thebrightcontinent.org/items/show/10">For more (including 23 images) view the original article</a></strong></em></p>]]></summary>
    <published>2017-09-28T17:54:59+00:00</published>
    <updated>2021-05-23T06:23:30+00:00</updated>
    <link rel="alternate" type="text/html" href="https://access.thebrightcontinent.org/items/show/10"/>
    <id>https://access.thebrightcontinent.org/items/show/10</id>
    <author>
      <name>Kathy Curnow</name>
    </author>
  </entry>
</feed>
