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  <title type="text">Bright Continent</title>
  <updated>2026-09-23T20:45:15+00:00</updated>
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    <title type="html"><![CDATA[Al-Qarawiyyin: University, Library, and Mosque in One]]></title>
    <summary type="html"><![CDATA[<p><strong><em>The university became popular early in Al-Qarawiyyin’s history. Students sat at the feet of the scholar, answering questions about texts. Famous alumni include 13th/14th-century theologian Ibn al-Haj al-Abdari and 16th-century historian and diplomat Leo Africanus. Others who are said to have had connections to the <em>madrasa</em> were two 12th-century scholars—Maimonides, famed Jewish philosopher and legal scholar and geographer Muhammad al-Idrisi, who created one of the most accurate pre-modern maps. In the 16th century, Flemish professor Nicolas Cleynaerts travelled there to perfect his Arabic.</em></strong></p><img src="https://access.thebrightcontinent.org/files/fullsize/a3a1177bbf60655576dc7050d1bd2ecf.jpg" alt="Details of University Interior" /><br/><p>In the heart of the Fez Medina is one of the largest mosques in Africa, as well what many consider the world’s oldest operating university. Al-Qarawiyyin (also known as Al Quaraouiyine or Al-Karaouine) was established in 859 C.E. by Fatima Al-Fihri, the daughter of a rich merchant. She and her family had migrated from the Tunisian city of Kairouan, about 1464 miles east of Fez. After her father died, Fatima and her sister Maryam inherited a large amount of money. Fatima decided to establish a place of religion and religious education, naming it after their hometown. Within two years,  her mosque and <i>madrasa</i>, or Islamic college, was finished. It became a place of political discussion and expanded to teach mathematics and the sciences. The original mosque was relatively small—just 98 feet long.
In the 10<sup>th</sup> century, it expanded considerably, its square-shaped minaret becoming a trend-setter.  The mosque’s appearance today was set in the 12<sup>th</sup> century under the Almoravid dynasty, whose Moroccan-based empire extended to Spain and Portugal (al-Andulus): 21 aisles, <i>muqarbas</i> (the medieval Western Islamic equivalent of <i>muqarnas</i>) or honeycomb/stalactite/cell vaults, horseshoe arches, and inscriptions on the <i>ijmiz</i>, the rectangles that surround the arches. The <i>muqarbas</i> includes the Almoravid motif of an eight-petalled flower enclosed by an eight-point star within an octagon, just one aspect of the region’s fascination with geometric relationships. Two styles of calligraphy are present: complex floriated Kufic script and the new and still somewhat clumsy cursive style. This latter emulated the writing used in Baghdad, the caliphate the Almoravids venerated and from which they derived legitimacy, and was probably transmitted via the extensive correspondence exchanged between the polities.
Additional changes in the mosque took place in subsequent centuries. The most significant took place in the courtyard. Its blue and white tile floor, marble ablutions fountain, and its two fountain pavilions, positioned like those of the Andalusian Alhambra’s late 14<sup>th</sup>-century Court of the Lions, were added in the early 17<sup>th</sup> century. The mosque’s exterior is unassuming, except for its tall minaret and its green-tiled roof, created as a series of gabled rows. The interior, however, includes intricate wooden, plaster, and marble carvings, as well as <i>zellij</i> tile decorations, helped create a heavenly shift from the busy markets that surrounded it, and the courtyard and its fountains alluded to paradise, as did water-filled features elsewhere in medieval Islamic states. Because Al-Qarawiyyin is in the Medina quarter of Fes, it is part of a World Heritage site, and must be maintained to keep its integrity.  In 2008, architect Mohammed Fikri Benabdallah completed the restoration of the mosque, an effort that culminated in his nomination for the 2010 Aga Khan Award for Architecture.</p><p>Sultans bestowed gifts upon the university, enabling the creation of a vast library that drew many students and scholars. The world’s oldest working library, its contents consist of four thousand manuscripts, including a 9<sup>th</sup>-century Quran and an original copy of Ibn Khaldun’s influential 14<sup>th</sup>-century <i>Muqadimmah</i>, a critical examination of history using political and economic viewpoints. In 2012, the library the Canadian-Moroccan architect Aziz Chaouni was awarded the project of renovating the library according to a four-year plan. When she first entered, the library was in disarray, with damage to the floors and even a fallen chandelier. What concerned her most was the state of the manuscripts. Chaouni created a humidity and temperature control room.  She also added a new gutter system to prevent further water damage to the building, as well as air conditioning and solar panels, and the library reopened in 2016.
Even in the past, the attraction of both mosque and university outstripped Al-Qarawiyyin’s ability to accommodate students. Many other <i>madrasa</i> sprang up in its immediate vicinity, including the 13<sup>th</sup>-century Saffarin <i>madrasa</i> (intended mostly for students from southern Morocco) and the 14<sup>th</sup>-century Al-Attarine <i>madrasa</i>. Both had elaborately ornamented courtyards and public spaces, but plain, overcrowded student accommodations.
 Al-Qarawiyyin still functions as mosque, library, and university, but UNESCO’s preservation of the Medina prevents physical expansion at the original site. Today the university has four other Moroccan campuses: Agadir covers Sharia law, as does a second location in Fez; Marrakech is the center for Arabic Language Studies; Tetuan houses the Faculty of Theology and Philosophy; and the original <i>madrasa</i> is the site of Islamic education.

 
</p><p><em><strong><a href="https://access.thebrightcontinent.org/items/show/28">For more (including 22 images) view the original article</a></strong></em></p>]]></summary>
    <published>2021-05-14T07:32:25+00:00</published>
    <updated>2026-09-23T20:45:15+00:00</updated>
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    <author>
      <name>Tatiana Fry, Cleveland State University&amp;#32;&amp;amp;&amp;#32;Kathy Curnow</name>
    </author>
  </entry>
  <entry>
    <title type="html"><![CDATA[Nejjarine Fountain and Museum: From Lodging House to Tourist Attraction]]></title>
    <summary type="html"><![CDATA[<img src="https://access.thebrightcontinent.org/files/fullsize/ed46fb4f489ac798e9ff9b472a3e3344.jpg" alt="Nejjarine Fountain and Exterior of Museum" /><br/><p>The Fez medina's Nejjarine Museum of Wooden Arts and Crafts has not always been a museum. It was built in 1711 as a <i>fondouk</i> (<i>fondak</i>), a lodging house for travelers that included a courtyard where merchants stored and sold their wares. Its name was Fondak En Nejjarin or Caravanserai of the Guild of Carpenters, and the carpenters' market is still nearby. The scales merchants used to measure their goods before sales remain in the courtyard. While commercial activity centered on the ground level, merchants' quarters were upstairs.</p><p>Like most medina lodgings, the <i>fondouk</i> was built around this courtyard, where a fountain helped weary travelers keep cool during the hot months. Ornately carved columns that support the next two levels surround the courtyard, which was once open to the sky. Each floor has a balcony that overlooks the interior fountain, its woodwork attesting to carpenters' skills. The Nejjarine fountain, covered in <i>zellij</i> tilework, stands just outside the building. Although it might seem to be an independent structure, its typical horseshoe arch and other details match the <i>fondouk</i>'s architecture, an intentional choice, since it was erected in the first half of the 19th century. Underneath the fountain's small arch is decorative <i>zellij</i> tile work, which also surrounds the basin in a simpler form. Even the fountain's ceiling is tiled, its design employing thicker lines of yellow tile. along with darker blues and reds. The fountain was used for ablutions, where visitors performed the ritual purification known as <i>wudu--the </i>washing of hands, feet, mouth, face, nose, head, and ears with intention. </p><p>In 1916, the Moroccan government recognized both <i>fondouk</i> and fountain as national monuments, pieces of history worth saving. Their restoration, sponsored by the Fondation Mohammed Karim Lamrani, was completed in 1998, and the former <i>fondouk</i> became a museum that features Morocco's famed wood carvings. With its luxurious interior, it is in a fortunate state of preservation. Other <i>fondouk</i> structures in Fez and elsewhere in Morocco are undergoing restoration with World Bank funds. Some may be repurposed, while others plan to revert to their original lodging function.</p><p><em><strong><a href="https://access.thebrightcontinent.org/items/show/19">For more (including 10 images) view the original article</a></strong></em></p>]]></summary>
    <published>2017-12-09T19:43:42+00:00</published>
    <updated>2026-09-23T20:43:13+00:00</updated>
    <link rel="alternate" type="text/html" href="https://access.thebrightcontinent.org/items/show/19"/>
    <id>https://access.thebrightcontinent.org/items/show/19</id>
    <author>
      <name>Tatiana Fry, Cleveland State University </name>
    </author>
  </entry>
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